Current selling price
£2,000+.
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Frustratingly, little is known about the life of Gilchrist.
It seems that he was born in Sheffield in 1868, where he attended the grammar
school there, and apart from a short sojourn in Paris soon afterwards, he remained
in the Peak district for the rest of his short life, living for some time near
Holmesfield, in his mother’s house, the largely
Tudor Cartledge Hall, with a male companion, which suggests that he may have
been gay. In the early 1890s his ‘Decadent’ tales featured in W. E. Henley’s National Observer, a mainly non-fiction
magazine that also published Yeats and Kipling. In 1891, his first novel, Passion the Plaything appeared, but
although this and two further novels, Frangipanni
(1893) and Hercules and the
Marionettes (1894) were not a great critical success, reviewers were much
more enthusiastic about his first collection The Stone Dragon which came out in 1894.. Thereafter, Gilchrist was in demand and he published
further stories in more mainstream magazines, including The Idler, Pall Mall Magazine
and Windsor Magazine.
It has been remarked that the critical neglect of Gilchrist since
his death in 1917 has been mainly due to his unevenness as a writer. Writing
mainly of his novels one critic of the time described his work as 'incomplete,
elliptical, mannered and uncontrolled'. Elsewhere the same critic, after
praising the good qualities of one particular novel, condemned him as a writer
of 'great moments and appalling weaknesses.' These remarks, which were echoed
by other critics, seem to have contributed to Gilchrist’s critical fate.The stories
in The Stone Dragon, however, appear to
have escaped these critical reservations, despite
the fact that some of them share some of the stylistic failings of the novels.
It’s the themes treated by Gilchrist in this Decadent fiction that attract the
modern sensibility. Stories that address same-sex passion, the lust for youth, and
feminism, predominate and it is perhaps no coincidence that the resurrection of
Gilchrist followed directly on from the sexual liberation of the nineteen
sixties.
In the title story, for instance, the hero has to choose
between two women—one boringly conventional and submissive and the other erotic
and unconventional, with the stone dragon itself acting as a symbol of emotion frozen
for all time, just as in a conventional marriage. Other aspects of gender and
sexuality that occupied so many writers and artists of the 1890s (one thinks
immediately of Beardsley and Swinburne) are explored with imaginative power in The Stone Dragon and in later
collections.
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Not surprisingly, The
Stone Dragon claims top spot. There is an wonderful inscribed copy of this 'legendarily scarce' title on sale from Adrian Harrington at a decadent $4,152,
but if you have a ‘ horror ‘ of paying over the odds, one dealer in Australia
will sell you a copy in only slightly worse condition for $1,250, which seems a
bargain to me. Incidentally, if you can somehow find the ‘Colonial ‘edition of
the same book it should cost you even less. [ R. M. Healey]
Many thanks Robin. This is a book I have never seen although one customer has a copy down Bexhill way. Must
check him out when next in God's waiting room.